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| In the small world of clarinet, the "32 Studies" by Rose is unquestionably one of the most famous and most used book. Based on the "48 Studies op. 31" for Oboe by Ferling, Rose freely changed the structure, scope, tone of the original studies to adapt to the note range and to the specificities of the clarinet. These studies are, therefore, true re-creations that Rose proposes to clarinet students. Encompassing a wide variety of musical and technical challenges, they are a perfect preparation for the repertoire of the 19th century and, as such, have never been replaced. Through many republications, these studies were themselves revised and supplemented with expressive indications, dynamics, articulations, phrasings and tempi sometimes overloading the original text. The interest of this new publication is double: first it provides the original studies by Rose (1893), then it shows aside the study for oboe by Ferling that Rose used as a reference (published by Bachmann in 1840), transposed by us in key chosen by Rose for clarinet. The student can thus easily compare the two versions, understand the changes, additions and transformations done by Rose, and enrich his/her approach of the style and phrasing of each study. To complete this analysis, indications of ways of working are given (in French) throughout the book. | |||||||||
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| The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working. | |||||||||
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| The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| Histoires Clarinette is a series of pieces with piano accompaniment. Each piece is also published separately. These original compositions are a little trip for the first two years of clarinet practice, to be played in conjunction with the instrumental method. This collection can be used for exams and even for a concert of the class of clarinet, as an evening with a storyteller. | |||||||||
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| Histoires Clarinette is a series of pieces with piano accompaniment. Each piece is also published separately. These original compositions are a little trip for the third and fourth years of clarinet practice, to be played in conjunction with the instrumental method. This collection can be used for exams and even for a concert of the class of clarinet, as an evening with a storyteller. | |||||||||
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| " As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS | |||||||||
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| " As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS | |||||||||
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| " As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS | |||||||||
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| " This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " This collection will bring an educational and stylistic dimension, since most of the five pieces use dance music spirit. This collection will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " 8 short and easy pieces for the first year of instrument practice, with piano accompaniment " - Pascal PROUST | |||||||||
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| " A melancholy theme which nevertheless invites you to dance; a slow waltz tinged with memories. For young clarinet players from 2 years of practice. " - Pascal PROUST | |||||||||
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| A piece from 4 years of practice onwards | |||||||||
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| " It is easy to imagine this noble bird hovering in a dreamy mountain landscape. For very young instrumentalists. " - Pascal PROUST | |||||||||
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| " As its title suggests, this piece is intended for young clarinettists. They will have to present several very different characters throughout these 4 minutes of music. From 4 years of clarinet practice. " - Pascal PROUST | |||||||||
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| " A rather slow little prelude followed by a joyful dance. To be played as a study by young instrumentalists from 4 years of instrument practice. " - Pascal PROUST | |||||||||
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| " A rather slow little prelude followed by a joyful dance. To be played as a study by young instrumentalists from 4 years of instrument practice. " - Pascal PROUST | |||||||||
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| From 2 years of instrument practice | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| " Here is a mini-fantasy on a popular melody, for very young instrumentalists. " - Pascal PROUST | |||||||||
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| " The first steps towards classical music, from the second year of clarinet practice " - Jean-Michel MAURY | |||||||||
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| A piece to be played from 2 years of practice. | |||||||||
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| A bit of staccato and a bit of legato in this piece for young students from 2 years of instrument practice. | |||||||||
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| " Some easy lines for very young instrumentalists, but which can include some surprises! " - Pascal PROUST | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| A piece to be played from 2-3 years of practice. | |||||||||
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| " An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. " - Jérôme NAULAIS | |||||||||
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| " A pleasant habanera to work for for a contest, an exam and a concert. From 3-4 years of instrument practice. " - Jérôme NAULAIS | |||||||||
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| " Walk in the famous Parisian garden, inspired by Claude Monet's paintings. " - Pascal PROUST | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||
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| " 6 very varied short movements for young instrumentalists, 6 characters whose first name rhymes with their profession " - Pascal PROUST | |||||||||
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| " Small suite in a classical style for a young instrumentalist solo " - Pascal PROUST | |||||||||
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| " A small study in a classical form " - Pascal PROUST | |||||||||
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| " A little piece in a military style, for our young instrumentalists. " - Pascal PROUST | |||||||||
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| An original piece to be played from 4/5 years of Clarinet practice. | |||||||||
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| " Two small pictures of everyday life in the Middle Ages set to music, from 5 years of instrument practice. " - Pascal PROUST | |||||||||
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| A piece with a slow and a fast movement, ideal for an exam or a concert. To be played from 4-5 years of clarinet practice. | |||||||||
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| " A little ballet for a young ballerina in a white tutu, for young instrumentalists from 5 years of practice " - Pascal PROUST | |||||||||
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| " 3 movements of a mini concerto for mini soloists who have been playing their instruments for 4-5 years " - Pascal PROUST | |||||||||
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| A catchy piece that can be played for an exam (from 5 years of practice), audition or concert. With an accompaniment by percussions (optional) for the Latin touch! | |||||||||
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| " Summer reveries for young musicians, from 5 years of instrument practice... " - Pascal PROUST | |||||||||
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| " Some minutes on Cerigo coast (Kythera), with an atmosphere to find for the young performers of the second style. " - Pascal PROUST | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAIS | |||||||||
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| " Here's how a little theme can travel in various musical styles and also around the world... " - Jérôme NAULAIS | |||||||||
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| " A small study for concert or exam in a classical form " - Pascal PROUST | |||||||||
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| " A short and joyful play where the young instrumentalist has to already demonstrate a lot of virtuosity... " - Pascal PROUST | |||||||||
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| " Here is the story of two very different characters who observe one another, judge, and fight! " - Pascal PROUST | |||||||||
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| A piece to be played from 4 years of practice. | |||||||||
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| A very nice exercice on 9/8 rhythm. | |||||||||
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| " A theme and little crazy variations, without accompaniment, for young instrumentalists from 6-7 years of practice " - Pascal PROUST | |||||||||
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| " Intrigues and festivities in the Middle Ages! " - Pascal PROUST | |||||||||
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| " A piece for a concert or a contest, of intermediate level, mixing humor and virtuosity. " - Pascal PROUST | |||||||||
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| " Intrigues and festivities in the Middle Ages! " - Pascal PROUST | |||||||||
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| " A piece for a concert or a contest, of intermediate level, mixing humor and virtuosity. " - Pascal PROUST | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| " A piece in the form of a joyous and colorful study, for technically and musically confirmed clarinet players. " - Pascal PROUST | |||||||||
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| " Virtuosity for humor: with a set od nuances describing the circonvolutions of the fly, this piece will give an originial touch for an exam or a concert. It can as well be played together with an improvised accompaniement by a percussionist (udu or zarb). " - Jean-Michel MAURY | |||||||||
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| A piece to be played from 8 years of practice. | |||||||||
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| " 4 short diverse and varied Pieces of about one minute each, from 8 years practise onward. The style is melodic but rhythmic, very colourful! " - Patrick NEBBULA | |||||||||
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| A collection of 4 virtuoso and descriptive pieces by Jean-Michel MAURY | |||||||||
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| A study to keep the technics, for a clarinet player since 4 years | |||||||||
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| " A peaceful walk in the woods that degenerates into a sympathetic rumpus for the joy of the participants! " - Pascal PROUST | |||||||||
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| A perfect Piece for exams or auditions - for students playing Bass Clarinet for 8 years onwards | |||||||||
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| " In the colloquial language from south-west of France, "bimbarolles" are small stars that you see when you hit your head. In the language of clarinetists, they are those notes that you can ear before a concert. " - Jean-Michel MAURY | |||||||||
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| " As its title indicates, this piece, built on a martial style from A to Z, is based on a succession of notes with quarter intervals. " - Jerome NAULAIS | |||||||||
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| A nice piece to be played by 2 young clarinetists with piano accompaniment, from 2 years of clarinet practice. | |||||||||
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| " The story of a poor village musician told in a few notes by our young instrumentalists at the end of the first year of apprenticeship. " - Pascal PROUST | |||||||||
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| Here is a Piece to Flutter, voluble and perilous, for those who, as an aeralist, love to be on the razor's edge. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| " This piece illustrates some rather peaceful facets of this famous musketeer ... " - Pascal PROUST | |||||||||
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| " The instrumentalists with an advanced level will have to give a fiery character to this piece... " - Pascal PROUST | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||