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| Taken from a book of harpsichord exercices, this Prelude can be used as a study in legato. - Didier COLL | |||||||||
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| Taken from a Suite for lute, this Bourrée is valued above all for its polyphony. - Didier COLL | |||||||||
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| This piece, an arpeggio study, is certainly the most played of Carcassi's compositions. - Didier COLL | |||||||||
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| Taken from a suite of Branles, this 16th century dance should be played in a sustained tempo and with lightness of touch. - Didier COLL | |||||||||
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| A lively dance from the Canary Islands, this piece is interesting for its simple/compound rhythms and its brio. - Didier COLL | |||||||||
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| Here is an opportunity to play part of the repertoire often performed by the greatest guitarists. - Didier COLL | |||||||||
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| This celebrated study by Fernando Sor should be played with strict attention to the rhythm. Concentrate on bringing out the melody (notes with the tails up) and plucking the accompaniment. - Didier COLL | |||||||||
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| A popular English melody attributed to Henry VIII, Greensleves is one of the first real compositions a student of classical guitar should play. - Didier COLL | |||||||||
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48.00 €
Number of products : 10