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| In the small world of clarinet, the "32 Studies" by Rose is unquestionably one of the most famous and most used book. Based on the "48 Studies op. 31" for Oboe by Ferling, Rose freely changed the structure, scope, tone of the original studies to adapt to the note range and to the specificities of the clarinet. These studies are, therefore, true re-creations that Rose proposes to clarinet students. Encompassing a wide variety of musical and technical challenges, they are a perfect preparation for the repertoire of the 19th century and, as such, have never been replaced. Through many republications, these studies were themselves revised and supplemented with expressive indications, dynamics, articulations, phrasings and tempi sometimes overloading the original text. The interest of this new publication is double: first it provides the original studies by Rose (1893), then it shows aside the study for oboe by Ferling that Rose used as a reference (published by Bachmann in 1840), transposed by us in key chosen by Rose for clarinet. The student can thus easily compare the two versions, understand the changes, additions and transformations done by Rose, and enrich his/her approach of the style and phrasing of each study. To complete this analysis, indications of ways of working are given (in French) throughout the book. | |||||||||
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Methods - Etudes - Exercises for Clarinet
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| The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working. | |||||||||
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| The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| The Clarinet du côté de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately. | |||||||||
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| Histoires Clarinette is a series of pieces with piano accompaniment. Each piece is also published separately. These original compositions are a little trip for the first two years of clarinet practice, to be played in conjunction with the instrumental method. This collection can be used for exams and even for a concert of the class of clarinet, as an evening with a storyteller. | |||||||||
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| Histoires Clarinette is a series of pieces with piano accompaniment. Each piece is also published separately. These original compositions are a little trip for the third and fourth years of clarinet practice, to be played in conjunction with the instrumental method. This collection can be used for exams and even for a concert of the class of clarinet, as an evening with a storyteller. | |||||||||
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| " This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " This collection will bring an educational and stylistic dimension, since most of the five pieces use dance music spirit. This collection will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... " - Alain LOPEZ | |||||||||
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| " As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS | |||||||||
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| " As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS | |||||||||
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| " As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS | |||||||||
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| " 8 short and easy pieces for the first year of instrument practice, with piano accompaniment " - Pascal PROUST | |||||||||
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| A collection of 4 virtuoso and descriptive pieces by Jean-Michel MAURY | |||||||||
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