The famous Characteristic Studies from ARBAN's Method revised, updated and dramatically modernised by Claude EGEA

The famous Characteristic Studies from ARBAN's Method revised, updated and dramatically modernised by Claude EGEA

A method encompassing everything needed to start playing the piano: technical exercises, solfeggio, studies and games!

A guitar method proposing 9 progressive pieces, one per month, to play alone or in duet, for beginners

A series or original pieces for young pianists, varied, fun to play and to hear. From 3 years of piano practice onwards.

A new full color method with a CD for learning the flute for young children (between 7 and 9 years old). On the CD, accompaniments are played by various instruments (guitar, piano, clarinet, flute, snare drum, tuba, harp, organ, violin, cello ...). An introduction to improvisation is available with piano accompaniment on the CD. The young flutist will also discover contemporary language with original pieces for flute solo or with accompaniment. At the end of the notebook, various exercises will help him/her in finding adapted solutions, in relation to the part he plays.

" Here are a few pieces for trombone and piano. I wrote them following the progression of my son Valentin (to whom I dedicate them) who started the trombone in September 2011. I thank Yann Sevin, Professor at Evry and Yves Demarle, for their help. I hope pianists will also enjoy playing the accompaniment. Good luck to all! " - Denis LELOUP

In the small world of clarinet, the "32 Studies" by Rose is unquestionably one of the most famous and most used book. Based on the "48 Studies op. 31" for Oboe by Ferling, Rose freely changed the structure, scope, tone of the original studies to adapt to the note range and to the specificities of the clarinet. These studies are, therefore, true re-creations that Rose proposes to clarinet students. Encompassing a wide variety of musical and technical challenges, they are a perfect preparation for the repertoire of the 19th century and, as such, have never been replaced. Through many republications, these studies were themselves revised and supplemented with expressive indications, dynamics, articulations, phrasings and tempi sometimes overloading the original text. The interest of this new publication is double: first it provides the original studies by Rose (1893), then it shows aside the study for oboe by Ferling that Rose used as a reference (published by Bachmann in 1840), transposed by us in key chosen by Rose for clarinet. The student can thus easily compare the two versions, understand the changes, additions and transformations done by Rose, and enrich his/her approach of the style and phrasing of each study. To complete this analysis, indications of ways of working are given (in French) throughout the book.

A series or original pieces for young pianists, varied, fun to play and to hear. From 2 years of piano practice onwards.

" These 21 small contemporary studies, co-written by and for young flutists students, allow them to open up, from the first year of initiation, to this new music, so rich by the freedom it offers through its colorful palette of sounds, while discovering their instrument. " - Cecilia ROYER-CARDONA

A series of atonal studies by the famous Jérôme Naulais

"  Some "hits" by classical and romantic composers (Aguado, Giuliani, Carulli, Sor, Tarrega, Carcassi) perfectly suited to modern instruments (with nylon and steel strings...) " - Pascal DUBOST

After the huge success of TrombOlympic, here is, a year later, its young sister : TrombOlympic Junior. Accessible from 2 years of trombone, this "self-service" method offers many exercises, flexibilities, and all that is needed to organize its technical work.

The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working.

" Je propose, dans ce recueil de parcourir toutes les tonalités en 24 minutes (ou presque). Je voulais des pièces courtes d'une minute, sans modulation, tenant sur la page de droite, et les explications sur l'autre, permettant à l'élève (avec peut-être l'aide de son professeur) de commencer le travail sans trop de difficultés. En complément des exercices à travailler dans toutes les tonalités que nous trouvons dans la plupart des méthodes (Cortot, Long, Beringer, pour ne citer qu'eux), je propose ces courtes pièces. Si une tonalité est totalement inconnue d'un élève, il pourra ainsi rencontrer cette nouvelle armure, sans pour autant s'engager dans un trop long travail. L'objectif est d'être simple, rapide et efficace. " - Gilles MAYZAUD

Here is the downloadable version, in Japanese, of the famous Trombolympic method by Daniel LASSALLE.
This volume number 1 includes chapters I, II and III of Trombolympic method, and offers warmup (muscle awakening) and basic technique.

Here is the long awaited new method by LASSALLE Daniel, International Soloist, Teacher at Toulouse and Lyon Conservatoires. This method-catalog, with a preface by Michel BECQUET, offers many exercises, flexibilities, and all that is needed to organize its technical work, whatever your level and your goals are.

The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors.

Here is the downloadable version, in Japanese, of the famous Trombolympic method by Daniel LASSALLE.
This volume number 2 includes chapters IV et V of Trombolympic method, with exercises to improve your sound.

Here is a series of pieces for flute and piano composed by Cécilia ROYER-CARDONA for the very first year of flute practice.

Here is the downloadable version, in French, of the famous Trombolympic method by Daniel LASSALLE.
This volume number 1 includes chapters I, II and III of Trombolympic method, and offers warmup (muscle awakening) and basic technique.

Here is the downloadable version, in Japanese, of the famous Trombolympic method by Daniel LASSALLE.
This volume number 3 includes chapters VI, VII, VIII, IX and X. It will help you improve particular and unique aspects of your playing such as : tongue dexterity, arm flexibility, synchronisation of tongue/arm/brain, stamina building with Marathrombone.
The volume also includes different 'menus' of warmups of 10 to 30 minutes, picking up exercises from all three volumes.

Here is a series of classical piano pieces for young piansists (Telemann, Schumann, Haydn, Beethoven, Tchaïkovsky, Balbastre, Pescetti), but extended to be played with an optionnal accompaniement by C, Bb or Eb instruments. By learning one the proposed themes, the pianist will be able to play the exact same piece alone or with a small ensemble (duet or trio).

Histoires Clarinette is a series of pieces with piano accompaniment. Each piece is also published separately. These original compositions are a little trip for the first two years of clarinet practice, to be played in conjunction with the instrumental method. This collection can be used for exams and even for a concert of the class of clarinet, as an evening with a storyteller.