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" Here are a few pieces for trombone and piano. I wrote them following the progression of my son Valentin (to whom I dedicate them) who started the trombone in September 2011. I thank Yann Sevin, Professor at Evry and Yves Demarle, for their help. I hope pianists will also enjoy playing the accompaniment. Good luck to all! " - Denis LELOUP |
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In the small world of clarinet, the "32 Studies" by Rose is unquestionably one of the most famous and most used book. Based on the "48 Studies op. 31" for Oboe by Ferling, Rose freely changed the structure, scope, tone of the original studies to adapt to the note range and to the specificities of the clarinet. These studies are, therefore, true re-creations that Rose proposes to clarinet students. Encompassing a wide variety of musical and technical challenges, they are a perfect preparation for the repertoire of the 19th century and, as such, have never been replaced. Through many republications, these studies were themselves revised and supplemented with expressive indications, dynamics, articulations, phrasings and tempi sometimes overloading the original text. The interest of this new publication is double: first it provides the original studies by Rose (1893), then it shows aside the study for oboe by Ferling that Rose used as a reference (published by Bachmann in 1840), transposed by us in key chosen by Rose for clarinet. The student can thus easily compare the two versions, understand the changes, additions and transformations done by Rose, and enrich his/her approach of the style and phrasing of each study. To complete this analysis, indications of ways of working are given (in French) throughout the book. |
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The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working. |
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" Je propose, dans ce recueil de parcourir toutes les tonalités en 24 minutes (ou presque). Je voulais des pièces courtes d'une minute, sans modulation, tenant sur la page de droite, et les explications sur l'autre, permettant à l'élève (avec peut-être l'aide de son professeur) de commencer le travail sans trop de difficultés. En complément des exercices à travailler dans toutes les tonalités que nous trouvons dans la plupart des méthodes (Cortot, Long, Beringer, pour ne citer qu'eux), je propose ces courtes pièces. Si une tonalité est totalement inconnue d'un élève, il pourra ainsi rencontrer cette nouvelle armure, sans pour autant s'engager dans un trop long travail. L'objectif est d'être simple, rapide et efficace. " - Gilles MAYZAUD |
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Here is the long awaited new method by LASSALLE Daniel, International Soloist, Teacher at Toulouse and Lyon Conservatoires. This method-catalog, with a preface by Michel BECQUET, offers many exercises, flexibilities, and all that is needed to organize its technical work, whatever your level and your goals are. |
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The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. |
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Here is the downloadable version, in Japanese, of the famous Trombolympic method by Daniel LASSALLE. |
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Here is a series of classical piano pieces for young piansists (Telemann, Schumann, Haydn, Beethoven, Tchaïkovsky, Balbastre, Pescetti), but extended to be played with an optionnal accompaniement by C, Bb or Eb instruments. By learning one the proposed themes, the pianist will be able to play the exact same piece alone or with a small ensemble (duet or trio). |