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| A perfect Piece for exams or auditions - from 2 years of Trombone practice | |||||||||
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| " Some stories of an old sailor, for young instrumentalists " - Pascal PROUST | |||||||||
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| A perfect Piece for exams or auditions - for students playing Trombone for 2 years onwards | |||||||||
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| " The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway... " - Alain LOPEZ | |||||||||
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| A perfect Piece for exams or auditions - for students playing Trombone for 3 years onwards | |||||||||
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| " Old cowboy stories told by young Trombone players - from 4 years of instrument practice. " - Pascal PROUST | |||||||||
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| A perfect Piece for exams or auditions - from 4 years of Trombone practice | |||||||||
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| " Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER | |||||||||
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| A musical journey to propose to young instrumentalists with 4 years of musical experience. | |||||||||
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| " A musical evasion with a legendary captain... " - Pascal PROUST | |||||||||
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| A perfect Piece for exams or auditions - for students playing F Horn for 4 years onwards | |||||||||
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| A perfect Piece for exams or auditions - for students playing Trombone for 4 years onwards | |||||||||
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| A Piece for exams and auditions for students playing trombone for 4 years onwards. | |||||||||
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| A perfect Piece for exams or auditions - from 5 years of Trombone practice | |||||||||
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| A piece for instrumentalists with 6 years of musical experience. | |||||||||
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| " Original composition using the famous habanera rhythmic cell (dotted quarter/dotted quarter/quarter), without which there would not be any tango... " - Alain LOPEZ | |||||||||
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| " A piece where students can show their expertise in legato as well as articulated rhythms. " - Jean-Michel MAURY | |||||||||
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| We play this music with images of a fun little movie in our head... For a hearing or an exam from 6 years of practice. | |||||||||
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| " A nice piece in a jazz / piano bar style for trombone and piano, from 6-7 years of instrument practice. " - Arnaud MEIER | |||||||||
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| " Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. " - Alain LOPEZ | |||||||||
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| " The artistic skills and sensitivity of the musician are highlighted here, in order to recreate, thanks to varied metronomic movements, rhythms and nuances, ten atmospheres described throughout the Piece. " - Alain LOPEZ | |||||||||
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| " Orange was the popular color of tango dancers at tango's height during the twenties. The melody is as bright as the color, pleasant and is not bereft of ardour. " - Alain LOPEZ | |||||||||
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| " As its title suggests, this "tournerie", the first of the series, must be interpreted with emphasis on the regularity of tempo as well as with a vigorous pulse. Trombonists should play without adding jazzy nor lyrical effects. Priority given to "groove", a bit like in Piazzolla's tangos. " - Denis LELOUP | |||||||||
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| " As its title suggests, this "tournerie", the second of the series, must be interpreted with emphasis on the regularity of tempo as well as with a vigorous pulse. Trombonists should play without adding jazzy nor lyrical effects. Priority given to "groove", a bit like in Piazzolla's tangos. " - Denis LELOUP | |||||||||
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Number of products : 105