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| " Here are 22 short pieces for young flutists, that are in fact 11 progressive duets, grouped in pairs, the second being a mini variation of the first. That way, young musicians must first master a simple exercise before addressing its "twin", slightly more elaborate. " - Pascal PROUST | |||||||||
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| " A small piece for 2 identical instruments, for an audition or classroom work. For musicians from 3-4 years of instrument practice. " - Pascal PROUST | |||||||||
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| Mikado is a Japanese game for 2 or more players. Written for two flutes, this modern piece in three movements could be titled "Three Miniatures". Written with semitones, this composition has a mystical character with contrasts and climax. | |||||||||
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| A collection of easy flute duets, each of them in a different tune | |||||||||
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| " The guitar part is quite difficult because of the intervals and arpeggios that must be regular (as if they were played by piano). " - Didier COLL | |||||||||
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| " What can be better than a Samba to tackle the Syncopation with fun! In the second part, the player will have to articulate the syncopation to become a credible Samba player! The sounds of a "reco-reco" or a "pandeiro" (small Brasilian drums) could be added to make this Samba even more captivating! " - Alain LOPEZ | |||||||||
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| " My first Duet for beginners who will be able to tackle, thanks to the melody, the intervals of Thirds, Fourths, Fifths and Sixths with calm and fun, in a different way than running over one's scales " - Alain LOPEZ | |||||||||
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| This short duet, easily usable at the end of a class when 2 students are present, or for auditions to avoid endless ones, can be played from the second year of instrument practice, or faster for more advanced students. The ensemble music work is interesting since the 2 parts are alternating melody and accompaniment. | |||||||||
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| This mini duet, easily usable at the end of a class or during auditions, can be played from the very beginning of the second year of flute practice. It allows to start working on musical phrasing while proposing horizontal-writing such as in B where the 2 flute interleave, and vertical-writing to play in tune more easily. | |||||||||
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