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Aimez-Vous Bach ? - J.S. BACH - J. NAULAIS - Trumpet and Piano

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" I wrote a Medley of some major musical pages of this brilliant composer that was Johann Sebastian Bach. The performers will enjoy playing these themes suited to their instrument. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Aimez-Vous Mozart ? - W.A. MOZART - J. NAULAIS - Trumpet and Piano

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" I wanted to compose a "revised and corrected" Medley on some pages of this brilliant composer that was Mozart. The performer will enjoy playing this piece well suited to her/his instrument. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Aimez-Vous Vivaldi ? - A. VIVALDI - J. NAULAIS - Trumpet and Piano

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" I wanted to build a Medley of this brilliant composer that was Vivaldi, on a version a bit more "Rock'n Roll"! The player will find a particular interest in studying this piece to assert her/his instrumental technique. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Girouettes - P. PROUST - Viola and Piano

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" Some measures to make head spin ... for young musicians from 2 years of instrument practice. " - Pascal PROUST

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" Trois Soeurs describes a portrait of three young sisters, each with its own character. The eldest is sulky, the second is joyful and the youngest is playful. These characters are transmitted musically in different ways. The sulkiness of the eldest is characterized by languishing third, the joy of the second by a waltz in C major and the playful character of the latter by a faster movement. This version is the piano reduction of the original piece composed for orchestra and alto saxophone. " - Arnaud MEIER

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" This song is a real flute and piano duet: complex rhythms give a tormented mood with a piano that wants to keep control and a flute that wants to be romantic and present. The duo can also be played in concert by confirmed musicians. " - Michel TRUX

A Piece for students from 8 to 9 years of instrument practice

Mon Petit Frère - O. LACHURIE - Trombone and Piano

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A perfect Piece for exams or auditions - from 4 years of Trombone practice

Sympa Trombone - O. LACHURIE - Trombone and Piano

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A perfect Piece for exams or auditions - from 1 year of Trombone practice

Romance - P. BERNARD - Cello and Piano

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A perfect Piece for exams or auditions - from 4 years of Cello practice

A Minima - P. PROUST - Double Bass and Piano

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" A minimum number of notes for maximum enjoyment for Double Bass players from 1 year of instrument practice... " - Pascal PROUST

A Minima - P. PROUST - Euphonium/Saxhorn and Piano

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" A minimum number of notes for maximum enjoyment for Euphonium/Saxhorn players from 2 years of instrument practice... " - Pascal PROUST

A Minima - P. PROUST - Tuba and Piano

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" A minimum number of notes for maximum enjoyment for Tuba players from 2 years of instrument practice... " - Pascal PROUST

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" Ordered by Michel Supéra for the European ClariSax 2013 contest, this piece, with a melancholic melody is built in four part (slow/cadence/moderate/slow). This educational piece is ideal to be studied in class but also performed in public. " - Alain LOPEZ

A Piece for students from 4 years of instrument practice

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" Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. " - Alain LOPEZ

A Piece for students from 1 year of instrument practice

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" Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. " - Alain LOPEZ

A Piece for students from 1 year of instrument practice

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" Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. " - Alain LOPEZ

A Piece for students from 1 year of instrument practice

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" Cuban music with a A-B-A' structure. Every sentence begins with 3 half notes followed by reversed intervals (eighth notes) and ends with a rhythmic tie. It is possible to learn this piece by heart to be closer to the oral tradition. The sentences are not difficult to learn and MP3 support will be a significant support for this. " - Alain LOPEZ

A Piece for students from 2 years of instrument practice

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" Cuban music with a A-B-A' structure. Every sentence begins with 3 half notes followed by reversed intervals (eighth notes) and ends with a rhythmic tie. It is possible to learn this piece by heart to be closer to the oral tradition. The sentences are not difficult to learn and MP3 support will be a significant support for this. " - Alain LOPEZ

A Piece for students from 2 years of instrument practice

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" Cuban music with a A-B-A' structure. Every sentence begins with 3 half notes followed by reversed intervals (eighth notes) and ends with a rhythmic tie. It is possible to learn this piece by heart to be closer to the oral tradition. The sentences are not difficult to learn and MP3 support will be a significant support for this. " - Alain LOPEZ

A Piece for students from 2 years of instrument practice

Listen Preview

" Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. " - Alain LOPEZ

A Piece for students from 1 year of instrument practice

Arcade - P. SAINT-LEGER - Bassoon and Piano

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" Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER

Arcade - P. SAINT-LEGER - Double Bass and Piano

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" Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER

Arcade - P. SAINT-LEGER - Euphonium/Saxhorn and Piano

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" Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER

12 Etudes Variées - Volume I - J. NAULAIS - Solo Alto Saxophone

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the second year of instrument practice.

12 Etudes Variées - Volume I - J. NAULAIS - Solo Clarinet

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the second year of instrument practice.

12 Etudes Variées - Volume I - J. NAULAIS - Solo F Horn

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the second year of instrument practice.

12 Etudes Variées - Volume I - J. NAULAIS - Solo Flute

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the second year of instrument practice.

12 Etudes Variées - Volume II - J. NAULAIS - Solo Alto Saxophone

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fourth year of instrument practice.

12 Etudes Variées - Volume II - J. NAULAIS - Solo Clarinet

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fourth year of instrument practice.

12 Etudes Variées - Volume II - J. NAULAIS - Solo F Horn

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fourth year of instrument practice.

12 Etudes Variées - Volume II - J. NAULAIS - Solo Flute

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fourth year of instrument practice.

12 Etudes Variées - Volume II - J. NAULAIS - Solo Oboe

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fourth year of instrument practice.

12 Etudes Variées - Volume III - J. NAULAIS - Solo Alto Saxophone

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fifth year of instrument practice.

12 Etudes Variées - Volume III - J. NAULAIS - Solo Clarinet

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fifth year of instrument practice.

12 Etudes Variées - Volume III - J. NAULAIS - Solo F Horn

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fifth year of instrument practice.

12 Etudes Variées - Volume III - J. NAULAIS - Solo Flute

Listen Preview

" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fifth year of instrument practice.

12 Etudes Variées - Volume III - J. NAULAIS - Solo Oboe

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fifth year of instrument practice.

Aimez-Vous Bach ? - J.S. BACH - J. NAULAIS - Alto Saxophone and Piano

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" I wrote a Medley of some major musical pages of this brilliant composer that was Johann Sebastian Bach. The performers will enjoy playing these themes suited to their instrument. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Aimez-Vous Bach ? - J.S. BACH - J. NAULAIS - Oboe and Piano

Listen Preview

" I wrote a Medley of some major musical pages of this brilliant composer that was Johann Sebastian Bach. The performers will enjoy playing these themes suited to their instrument. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Aimez-Vous Mozart ? - W.A. MOZART - J. NAULAIS - Alto Saxophone and Piano

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" I wanted to compose a "revised and corrected" Medley on some pages of this brilliant composer that was Mozart. The performer will enjoy playing this piece well suited to her/his instrument. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Aimez-Vous Mozart ? - W.A. MOZART - J. NAULAIS - Oboe and Piano

Listen Preview

" I wanted to compose a "revised and corrected" Medley on some pages of this brilliant composer that was Mozart. The performer will enjoy playing this piece well suited to her/his instrument. " - Jérôme NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice

Aimez-Vous Vivaldi ? - A. VIVALDI - J. NAULAIS - Alto Saxophone and Piano

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" I wanted to build a Medley of this brilliant composer that was Vivaldi, on a version a bit more "Rock'n Roll"! The player will find a particular interest in studying this piece to assert her/his instrumental technique. " - Jerome NAULAIS

A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice