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| From 2 years of instrument practice | |||||||||
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| " Freely inspired by the famous Raymond Queneau's book, I wanted to write a piece that could be played by low-pitched solo brass instrument. It can be played by a Tuba, an Euphonium or Bb Saxhorn, a Trombone or a F Horn player. This version is for F Horn. The others are available as well. This piece can be played from an exam from 8 years of instrument practice. " - Arnaud MEIER | |||||||||
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| " Intrigues and festivities in the Middle Ages! " - Pascal PROUST | |||||||||
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| " The story of a poor village musician told in a few notes by our young instrumentalists at the end of the first year of apprenticeship. " - Pascal PROUST | |||||||||
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| " 6 very varied short movements for young instrumentalists, 6 characters whose first name rhymes with their profession " - Pascal PROUST | |||||||||
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| " A piece for a concert or a contest, of intermediate level, mixing humor and virtuosity. " - Pascal PROUST | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| A perfect Piece for exams or auditions - for students playing F Horn for 7 years onwards | |||||||||
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| " On October 31, 2020, day falls, giving way to a starless night. I put on my best Halloween costume to go get some candy with my friends. But not everything goes as planned ... " - Adeline COLLART | |||||||||
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| " A piece for a concert or a contest, of intermediate level, mixing humor and virtuosity. " - Pascal PROUST | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| " An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. " - Jérôme NAULAIS | |||||||||
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| " A theme and little crazy variations, without accompaniment, for young instrumentalists from 6-7 years of practice " - Pascal PROUST | |||||||||
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| " A small study in a classical form " - Pascal PROUST | |||||||||
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| " Small suite in a classical style for a young instrumentalist solo " - Pascal PROUST | |||||||||
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| " Intrigues and festivities in the Middle Ages! " - Pascal PROUST | |||||||||
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| A perfect Piece for exams or auditions - for students playing Trombone for 10 years onwards | |||||||||
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| A piece to be played from 2-3 years of practice. | |||||||||
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| " Daydreaming for young instrumentalists at the edge of an emerald sea " - Pascal PROUST | |||||||||
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| A perfect Piece for exams or auditions - for students playing Trombone for 10 years onwards | |||||||||
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| A piece to be played from 2 years of practice. | |||||||||
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| " Freely inspired by the famous Raymond Queneau's book, I wanted to write a piece that could be played by low-pitched solo brass instrument. It can be played by a Tuba, an Euphonium or a Bb Saxhorn, a Tuba or a F Horn player. This version is for Tuba. The others are available as well. This piece can be played from an exam from 8 years of instrument practice. " - Arnaud MEIER | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| " A rythmic composition in which the cells "quaver / two semiquaver" and " two semiquaver / quaver " are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of "Rhapsody in Blues" from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem ("Temps d'M") without that! " - Alain LOPEZ | |||||||||
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| " For solo trumpet or cornet and from 7 years of instrument practice, the artist will find himself plunged into darkness, alternating mysterious, sometimes distressing sequences, with episodes of infernal descents and ascents. We are in absolute madness. " - André TELMAN | |||||||||
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| " Melodic composition targeted to "young" students where rhythms of half note, quarter note, eighth note, on beat, are exclusively used. " - Alain LOPEZ | |||||||||
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| " This Piece is a transcription for Trombone of a Baroque piece. It must be played using the subtle phrasing and moderate sound intensity of instruments used during this epoch, such as Sackbut. The main difficulty of this Piece reside in its interpretation. In order to help you, I propose articulations and nuances that will allow you playing in the spirit of the first half of the eighteenth century, while giving you the freedom to choose the ornamentation that you prefer. " - Olivier LACHURIE | |||||||||
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| " This concerto is a major Piece of Baroque repertoire for Trombone. A particular attention must be given to the respect of nuances and articulations that I placed in this score, to guide you towards playing in the spirit of the first half of the eighteenth century, while giving you the freedom to ornament as you like. " - Olivier LACHURIE | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||
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| " A rhythmically simple composition that I wanted to be very melodic to encourage students to become familiar with repeated notes. " - Alain LOPEZ | |||||||||
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| " This bluesy ballad proposes an easy approach of doted quaver followed by semiquaver and helps going one step further since this solemn rhythm is always followed by 2 quavers! " - Alain LOPEZ | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||
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| " Composed during the nineteenth century, this piece is one of the "standards" of Trombone repertoire. It is also often played in national and international competitions. Felix Alexandre Guilmant managed here at the same time to reveal many musical aspects of Trombone and to offer a great freedom of interpretation to the player. Enjoy! " - Olivier LACHURIE | |||||||||
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| " This Piece is one of the real Must-Haves for Tenor Trombone. Composed in 1915, it has often be chosen for exams and competitions, since it allows highlighting the musicality, instrumental techniques (triple tonguing, rapid slide movements) as well as the wide and warm sound of the instrumentalist. This Cavatine is an ideal and pleasant piece for concert. Several famous Trombonists have recorded it, and continue to play it all around the World. " - Olivier LACHURIE | |||||||||
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| Piece composed for the 2011 Edition of Saxhorn, Euphonium and Tuba Competition of Tours | |||||||||
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| " Blues with simple rhythmic cells and small ascending and descending chromatic movements. This piece will allow you to familiarize yourself with 'swing', supported by the piano accompaniment, imitating the horse's trot. " - Alain LOPEZ | |||||||||
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| " Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can "follow" the students for three years and / or allow 3 students with different levels to play together. " - Alain LOPEZ | |||||||||
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| " A small study in a classical form " - Pascal PROUST | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| " How to make a good music recipe with few ingredients? Take some quavers, long values and swing the harmonies... " - Alain LOPEZ | |||||||||
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| " A short piece with piano accompaniment for young Euphonium/Saxhorn players from one year of practice " - Pascal PROUST | |||||||||
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| " The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway... " - Alain LOPEZ | |||||||||
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| " The piece is inspired by a traditional Azorean melody and evokes these beautiful (sometimes difficult) hikes in the middle of the vegetation, without ever losing sight of the sea. " - Adeline COLLARTComposition for the 15th National Trombone Competition Antoine Courtois 2021. From 6 years of instrument practice. | |||||||||
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| " This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer! " - Alain LOPEZ | |||||||||
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| " AABA form of Latin music which gives meaning to the work of opposed nuances. On the pedagogical side, some unusual rhythms at this level are proposed. " - Alain LOPEZ | |||||||||
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| " For those who are nostalgic of village dance. Delicate piece to work on intervals. " - Jean-Michel MAURY | |||||||||
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| " Here is the story of two very different characters who observe one another, judge, and fight! " - Pascal PROUST | |||||||||
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| " The chassé-croisé of quarter notes and eight notes triplets together with Piano incite to dance and remind us of cabarets' ambiance of the 1920s. This piece, coupled with a faster one is an ideal combination to propose for end of first cycle exam. " - Alain LOPEZ | |||||||||
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| From 2 years of instrument practice | |||||||||
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| " The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme "B" are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets! " - Alain LOPEZ | |||||||||
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| " During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The "Twinning" is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it ! " - Alain LOPEZ | |||||||||
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| " A small study for concert or exam in a classical form " - Pascal PROUST | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| " a Jazz waltz (dedicated to my uncle who was so benevolent during my early stages!) that may remind Erik Satie's Gymnopédies or the famous "Bluesette" from Toots Thielemans " - Alain LOPEZ | |||||||||
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| " A romantic composition dedicated to my Director Jacques Andrieu and to his wife Danièle (pianist). The seventh intervals (range rarely used), major, minor or diminished allowed me to create a tender and touching melody. " - Alain LOPEZ | |||||||||
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| " Here's how a little theme can travel in various musical styles and also around the world... " - Jérôme NAULAIS | |||||||||
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| From 2 years of instrument practice | |||||||||
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| " Small suite in a classical style for a young instrumentalist solo " - Pascal PROUST | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| " A theme and little crazy variations, without accompaniment, for young instrumentalists from 6-7 years of practice " - Pascal PROUST | |||||||||
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| From 2 years of instrument practice | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| " The story of a poor village musician told in a few notes by our young instrumentalists at the end of the first year of apprenticeship. " - Pascal PROUST | |||||||||
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| This simple Piece can be used for example for a trumpet sight-reading exam. | |||||||||
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| For more details, click on the titles | |||||||||
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| " A short and joyful play where the young instrumentalist has to already demonstrate a lot of virtuosity... " - Pascal PROUST | |||||||||
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| " A piece in the form of a joyous and colorful study, for technically and musically confirmed trumpet players. " - Pascal PROUST | |||||||||
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| A piece to be played from 2 years of practice. | |||||||||
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| A piece to be played from 1 year of practice. | |||||||||
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| A piece composed by François GUIN, part of "LES FOUR BONES" collection | |||||||||
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Number of products : 576