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" I wanted to compose a "revised and corrected" Medley on some pages of this brilliant composer that was Mozart. The performer will enjoy playing this piece well suited to her/his instrument. " - Jérôme NAULAIS |
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" I wanted to build a Medley of this brilliant composer that was Vivaldi, on a version a bit more "Rock'n Roll"! The player will find a particular interest in studying this piece to assert her/his instrumental technique. " - Jerome NAULAIS |
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A Piece for students from 1 year of instrument practice. |
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A Piece for students from 1 year of instrument practice. |
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" Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. " - Alain LOPEZ |
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" Latin American popular music created for beginners, with many small patterns interspersed with silences to learn to count! This piece proposes three variations and a coda. From the technical point of view, only arpeggios or conjunct intervals are used. The musical text can be worked alone thanks to piano playback. " - Alain LOPEZ |
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" Some measures to make head spin ... for young musicians from 2 years of instrument practice. " - Pascal PROUST |
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" Some measures to make head spin ... for young musicians from 2 years of instrument practice. " - Pascal PROUST |
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" Some stories of an old sailor, for young instrumentalists " - Pascal PROUST |
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" Cuban music with a A-B-A' structure. Every sentence begins with 3 half notes followed by reversed intervals (eighth notes) and ends with a rhythmic tie. It is possible to learn this piece by heart to be closer to the oral tradition. The sentences are not difficult to learn and MP3 support will be a significant support for this. " - Alain LOPEZ |
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" Cuban music with a A-B-A' structure. Every sentence begins with 3 half notes followed by reversed intervals (eighth notes) and ends with a rhythmic tie. It is possible to learn this piece by heart to be closer to the oral tradition. The sentences are not difficult to learn and MP3 support will be a significant support for this. " - Alain LOPEZ |
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" The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway... " - Alain LOPEZ |
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" The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway... " - Alain LOPEZ |
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" A solemn march for young instrumentalists at the end of the first cycle. For an audition or an exam. " - Pascal PROUST |
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" Trois Soeurs describes a portrait of three young sisters, each with its own character. The eldest is sulky, the second is joyful and the youngest is playful. These characters are transmitted musically in different ways. The sulkiness of the eldest is characterized by languishing third, the joy of the second by a waltz in C major and the playful character of the latter by a faster movement. This version is the piano reduction of the original piece composed for orchestra and alto saxophone. " - Arnaud MEIER |
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" Ordered by Michel Supéra for the European ClariSax 2013 contest, this piece, with a melancholic melody is built in four part (slow/cadence/moderate/slow). This educational piece is ideal to be studied in class but also performed in public. " - Alain LOPEZ |
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" Ordered by Michel Supéra for the European ClariSax 2013 contest, this piece, with a melancholic melody is built in four part (slow/cadence/moderate/slow). This educational piece is ideal to be studied in class but also performed in public. " - Alain LOPEZ |
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" As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style " - Alain LOPEZ |
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" As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style " - Alain LOPEZ |
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" The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme "B" are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets! " - Alain LOPEZ |
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" A rythmic composition in which the cells "quaver / two semiquaver" and " two semiquaver / quaver " are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of "Rhapsody in Blues" from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem ("Temps d'M") without that! " - Alain LOPEZ |
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" The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme "B" are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets! " - Alain LOPEZ |
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" As the light whose reflection in the water is sometimes broken by the waves, I used ascending and descending movement in the melody. The pervasive use of syncopation also enabled me to exacerbate the impact felt by the ebb and flow. " - Alain LOPEZ |
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" a rythmic composition in which the cells "two semiquavers / quaver" and "quaver / two semiquavers" are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of "Rhapsody in Blues" from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem ("Temps d'M") without that! " - Alain LOPEZ |
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This easy Piece brings a knightly ambiance that reminds us Middle-Ages jousts. |
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" During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The "Twinning" is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it ! " - Alain LOPEZ |
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" During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The "Twinning" is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it ! " - Alain LOPEZ |
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" I had fun to mix three musical styles remotely related. My idea was to take a classical musical phrase then to reharmonize it to give it jazz or pop colors. Here is for the 'short story'. " - Alain LOPEZ |
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" I had fun to mix three musical styles remotely related. My idea was to take a classical musical phrase then to reharmonize it to give it jazz or pop colors. Here is for the 'short story'. " - Alain LOPEZ |