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| " This piece is a tribute to a small island off the west coast of Finistère, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. " - Jérôme NAULAIS | |||||||||
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| " This piece is a tribute to a small island off the west coast of Finistère, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. " - Jérôme NAULAIS | |||||||||
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| " This piece is a tribute to a small island off the west coast of Finistère, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. " - Jérôme NAULAIS | |||||||||
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| This piece for Euphonium/Saxhorn with keyboard accompaniement (church organ, piano or synthesizer) is a beautiful and very intimate melody. Not very challenging in terms of rhythm and ambitus, it is suited from 4 years of instrument practice. | |||||||||
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| This piece for Tuba with keyboard accompaniement (church organ, piano or synthesizer) is a beautiful and very intimate melody. Not very challenging in terms of rhythm and ambitus, it is suited from 4 years of instrument practice. | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAISA pice that can beplayed from 6 years of instrument practice | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAISA pice that can beplayed from 6 years of instrument practice | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAISA pice that can beplayed from 6 years of instrument practice | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| " The walk of a friendly little animal, for young musicians at the end of their first year of learning. " - Pascal PROUST | |||||||||
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| " The young musicians will love playing this piece that will find its place in an exam or a concert. " - Pascal SAINT-LEGER | |||||||||
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| " A page for young saxhorn/euphonium players from 4 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... " - Pascal PROUST | |||||||||
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| " The solemnity of this piece is particularly suitable for a ceremony. " - Jerome NAULAIS | |||||||||
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| " The solemnity of this piece is particularly suitable for a ceremony. " - Jerome NAULAIS | |||||||||
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| A playful and rhythmic piece for a concert or exam from 6 years of practice | |||||||||
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| A playful and rhythmic piece for a concert or exam from 6 years of practice | |||||||||
