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| " A few minutes in the desert, pretty notes crushed by the sun, for our young instrumentalists. " - Pascal PROUST | |||||||||
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| " A few minutes in the desert, pretty notes crushed by the sun, for our young instrumentalists. " - Pascal PROUST | |||||||||
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| " A little duo with piano intended for young students from 4 years of practice. An atmosphere of calm and happiness should emanate from this piece. " - Pascal PROUST | |||||||||
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| " A short piece with piano accompaniment for young Euphonium/Saxhorn players from one year of practice " - Pascal PROUST | |||||||||
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| " A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. " - Jérôme NAULAIS | |||||||||
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| " A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. " - Jérôme NAULAIS | |||||||||
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| " A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. " - Jérôme NAULAIS | |||||||||
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| " 3 movements of a mini concerto for mini soloists who have been playing their instruments for 4-5 years " - Pascal PROUST | |||||||||
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| A piece from 4 years of practice onwards | |||||||||
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| A piece from 4 years of practice onwards | |||||||||
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| A piece from 4 years of practice onwards | |||||||||
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| A catchy piece that can be played for an exam (from 5 years of practice), audition or concert. With an accompaniment by percussions (optional) for the Latin touch! | |||||||||
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| " As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style " - Alain LOPEZ | |||||||||
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| A perfect Piece for exams or auditions - for students playing Euphonium or Saxhorn for 4 years onwards | |||||||||
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| " The purpose of this composition is to familiarize yourself with the unusual 5/4 metric, often associated to the famous jazz standard by Paul Desmond, Take Five. Rhythms and articulation are varied but without major difficulty. This piece is dedicated to the saxophonist "Michel Itier". " - Alain LOPEZ | |||||||||
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| " As the light whose reflection in the water is sometimes broken by the waves, I used ascending and descending movement in the melody. The pervasive use of syncopation also enabled me to exacerbate the impact felt by the ebb and flow. " - Alain LOPEZ | |||||||||
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| " A musical evasion with a legendary captain... " - Pascal PROUST | |||||||||
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| " Original composition using the famous habanera rhythmic cell (dotted quarter/dotted quarter/quarter), without which there would not be any tango... " - Alain LOPEZ | |||||||||
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| We play this music with images of a fun little movie in our head... For a hearing or an exam from 6 years of practice. | |||||||||
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| " As the title suggests, this piece focuses primarily on the octave leaps and chromatism. The arpeggio sequences serve as a leitmotif throughout the piece. " - Alain LOPEZ | |||||||||
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| " Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER | |||||||||
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| " Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER | |||||||||
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| " Orange was the popular color of tango dancers at tango's height during the twenties. The melody is as bright as the color, pleasant and is not bereft of ardour. " - Alain LOPEZ | |||||||||
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| " Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. " - Alain LOPEZ | |||||||||
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| A composition with a nice melody, from 6 years of instrument practice | |||||||||
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| " The artistic skills and sensitivity of the musician are highlighted here, in order to recreate, thanks to varied metronomic movements, rhythms and nuances, ten atmospheres described throughout the Piece. " - Alain LOPEZ | |||||||||
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| " A rythmic composition in which the cells "quaver / two semiquaver" and " two semiquaver / quaver " are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of "Rhapsody in Blues" from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem ("Temps d'M") without that! " - Alain LOPEZ | |||||||||
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| " Melodic composition targeted to "young" students where rhythms of half note, quarter note, eighth note, on beat, are exclusively used. " - Alain LOPEZ | |||||||||
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| " A rhythmically simple composition that I wanted to be very melodic to encourage students to become familiar with repeated notes. " - Alain LOPEZ | |||||||||
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| " This bluesy ballad proposes an easy approach of doted quaver followed by semiquaver and helps going one step further since this solemn rhythm is always followed by 2 quavers! " - Alain LOPEZ | |||||||||
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| " Blues with simple rhythmic cells and small ascending and descending chromatic movements. This piece will allow you to familiarize yourself with 'swing', supported by the piano accompaniment, imitating the horse's trot. " - Alain LOPEZ | |||||||||
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| " Latin music divided into three parts of 32 mes. each: the first is for students with 1-2 years of experience (only long values and small chromatisms are used), the second is for those who have 2 or 3 (add dotted quarter / eighth notes and intervals of fourths), the third is for those at the end of the first cycle (flow from eighth in addition). This piece can "follow" the students for three years and / or allow 3 students with different levels to play together. " - Alain LOPEZ | |||||||||
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| " How to make a good music recipe with few ingredients? Take some quavers, long values and swing the harmonies... " - Alain LOPEZ | |||||||||
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| " The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway... " - Alain LOPEZ | |||||||||
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| " This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer! " - Alain LOPEZ | |||||||||
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| " AABA form of Latin music which gives meaning to the work of opposed nuances. On the pedagogical side, some unusual rhythms at this level are proposed. " - Alain LOPEZ | |||||||||
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| " For those who are nostalgic of village dance. Delicate piece to work on intervals. " - Jean-Michel MAURY | |||||||||
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| " The chassé-croisé of quarter notes and eight notes triplets together with Piano incite to dance and remind us of cabarets' ambiance of the 1920s. This piece, coupled with a faster one is an ideal combination to propose for end of first cycle exam. " - Alain LOPEZ | |||||||||
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| From 2 years of instrument practice | |||||||||
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| " The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme "B" are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets! " - Alain LOPEZ | |||||||||
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| " A romantic composition dedicated to my Director Jacques Andrieu and to his wife Danièle (pianist). The seventh intervals (range rarely used), major, minor or diminished allowed me to create a tender and touching melody. " - Alain LOPEZ | |||||||||
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| From 2 years of instrument practice | |||||||||
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| From 2 years of instrument practice | |||||||||
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| A piece to be played from 2 years of practice. | |||||||||
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| A piece to be played from 2 years of practice. | |||||||||
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| " An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. " - Jérôme NAULAIS | |||||||||
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| " An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. " - Jérôme NAULAIS | |||||||||
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| " An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. " - Jérôme NAULAIS | |||||||||
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| A piece to be played from 2-3 years of practice. | |||||||||
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| A piece to be played from 2-3 years of practice. | |||||||||
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| A piece to be played from 2-3 years of practice. | |||||||||
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| " Who does not have a little nostalgic air in their head when they think of their last vacation in Italy? And who says Italy says Tarantella! " - Pascal PROUST | |||||||||
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| " Here's how a little theme can travel in various musical styles and also around the world... " - Jérôme NAULAIS | |||||||||
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| " Here's how a little theme can travel in various musical styles and also around the world... " - Jérôme NAULAIS | |||||||||
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| " Here's how a little theme can travel in various musical styles and also around the world... " - Jérôme NAULAIS | |||||||||
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| " The story of a poor village musician told in a few notes by our young instrumentalists at the end of the first year of apprenticeship. " - Pascal PROUST | |||||||||
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| " Daydreaming for young instrumentalists at the edge of an emerald sea " - Pascal PROUST | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| A piece to be played from 1-2 years of instrument practice. | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||
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| A piece to be played from 2 years of instrument practice. | |||||||||
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| " Three short stories, three very different characters to translate into music. " - Pascal PROUST | |||||||||
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| " A little piece in a military style, for our young instrumentalists. " - Pascal PROUST | |||||||||
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| " As its title indicates, this piece, built on a martial style from A to Z, is based on a succession of notes with quarter intervals. " - Jérôme NAULAIS | |||||||||
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| " As its title indicates, this piece, built on a martial style from A to Z, is based on a succession of notes with quarter intervals. " - Jérôme NAULAIS | |||||||||
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| " As its title indicates, this piece, built on a martial style from A to Z, is based on a succession of notes with quarter intervals. " - Jérôme NAULAIS | |||||||||
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| An orginal piece, in an asian mood, to be played from 3 or 4 years of instrument practice | |||||||||
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| " This piece illustrates some rather peaceful facets of this famous musketeer ... " - Pascal PROUST | |||||||||
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| " The instrumentalists with an advanced level will have to give a fiery character to this piece... " - Pascal PROUST | |||||||||
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| " This piece is a tribute to a small island off the west coast of Finistère, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. " - Jérôme NAULAIS | |||||||||
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| " This piece is a tribute to a small island off the west coast of Finistère, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. " - Jérôme NAULAIS | |||||||||
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| " This piece is a tribute to a small island off the west coast of Finistère, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. " - Jérôme NAULAIS | |||||||||
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| This piece for Euphonium/Saxhorn with keyboard accompaniement (church organ, piano or synthesizer) is a beautiful and very intimate melody. Not very challenging in terms of rhythm and ambitus, it is suited from 4 years of instrument practice. | |||||||||
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| This piece for Tuba with keyboard accompaniement (church organ, piano or synthesizer) is a beautiful and very intimate melody. Not very challenging in terms of rhythm and ambitus, it is suited from 4 years of instrument practice. | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAISA pice that can beplayed from 6 years of instrument practice | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAISA pice that can beplayed from 6 years of instrument practice | |||||||||
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| " This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... " - Jérôme NAULAISA pice that can beplayed from 6 years of instrument practice | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| A piece that can be played from 7 years of instrument practice | |||||||||
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| " The walk of a friendly little animal, for young musicians at the end of their first year of learning. " - Pascal PROUST | |||||||||
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| " The young musicians will love playing this piece that will find its place in an exam or a concert. " - Pascal SAINT-LEGER | |||||||||
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| " A page for young saxhorn/euphonium players from 4 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... " - Pascal PROUST | |||||||||
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| " The solemnity of this piece is particularly suitable for a ceremony. " - Jerome NAULAIS | |||||||||
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| " The solemnity of this piece is particularly suitable for a ceremony. " - Jerome NAULAIS | |||||||||
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| A playful and rhythmic piece for a concert or exam from 6 years of practice | |||||||||
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| A playful and rhythmic piece for a concert or exam from 6 years of practice | |||||||||
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| " A short piece for young instrumentalists from the first year of practice. " - Pascal PROUST | |||||||||
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Number of products : 114