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| " Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... " - Pascal SAINT-LEGER | |||||||||
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| A musical journey to propose to young instrumentalists with 4 years of musical experience. | |||||||||
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| A musical journey to propose to young instrumentalists with 4 years of musical experience. | |||||||||
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| " Ordered by Michel Supéra for the European ClariSax 2013 contest, this piece, with a melancholic melody is built in four part (slow/cadence/moderate/slow). This educational piece is ideal to be studied in class but also performed in public. " - Alain LOPEZ | |||||||||
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| " Ordered by Michel Supéra for the European ClariSax 2013 contest, this piece, with a melancholic melody is built in four part (slow/cadence/moderate/slow). This educational piece is ideal to be studied in class but also performed in public. " - Alain LOPEZ | |||||||||
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| We play this music with images of a fun little movie in our head... For a hearing or an exam from 6 years of practice. | |||||||||
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| A piece for instrumentalists with 6 years of musical experience. | |||||||||
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| A piece for instrumentalists with 6 years of musical experience. | |||||||||
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| A perfect Piece for exams or auditions - from 6 years of Saxophone practice | |||||||||
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| A perfect Piece for exams or auditions - from 6 years of Saxophone practice | |||||||||
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| " As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style " - Alain LOPEZ | |||||||||
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| " As a fan of bossa-novas from Antonio Carlos Jobim (with complex and moving harmonies), I have created my samba jazz in order to motivate students to work on typical rhythms of this musical style " - Alain LOPEZ | |||||||||
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| A piece for instrumentalists with 6 years of musical experience. | |||||||||
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| " As the title suggests, this piece focuses primarily on the octave leaps and chromatism. The arpeggio sequences serve as a leitmotif throughout the piece. " - Alain LOPEZ | |||||||||
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| " As the title suggests, this piece focuses primarily on the octave leaps and chromatism. The arpeggio sequences serve as a leitmotif throughout the piece. " - Alain LOPEZ | |||||||||
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| " Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. " - Alain LOPEZ | |||||||||
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| " Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. " - Alain LOPEZ | |||||||||
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| A piece for instrumentalists with 7 years of musical experience. | |||||||||
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| " Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians " - Pascal PROUST | |||||||||
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| " Orange was the popular color of tango dancers at tango's height during the twenties. The melody is as bright as the color, pleasant and is not bereft of ardour. " - Alain LOPEZ | |||||||||
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| " The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme "B" are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets! " - Alain LOPEZ | |||||||||
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| A perfect Piece for exams or auditions - for students playing Saxophone for 4 years onwards | |||||||||
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| A superb opus with a subtile melody - for students playing saxophone for 5 years onwards | |||||||||
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| " Orange was the popular color of tango dancers at tango's height during the twenties. The melody is as bright as the color, pleasant and is not bereft of ardour. " - Alain LOPEZ | |||||||||
