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Charles Oberthür, virtuoso harpist born in Munich, wrote Six Nocturnes called "Wedding Presents" for the mariage of the Duke of Nassau. Le Désir - Opus 65 is one of these pieces, where the version for clarinet is dedicated to Henry Lazarus, for 50 years the "Clarinetto Supremo" during the reign of Queen Victoria. - Renaud ESCRIVA |
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Here is a very pretty Romance by Princess Marie-Elisabeth von Sachsen-Meiningen (1853-1923). A talented pianist, she was also a composer and in 1892 she wrote this Romance in F Major which was to be performed by Richard Mühlfeld, the dedicatee of Brahms clarinet works. This piece is a good introduction to Romantic music. - Renaud ESCRIVA |
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First opus from the collection "The Must-haves for Clarinet", this Romance is a wonderful Piece to be played from 3 years of instrument practice. |
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" Play this study with calm and tenderness. Observe dynamics without exaggerating them, avoiding particularly aggressive forzandi. Be careful with phrasing, articulations and keep your musical speech. This Piece is the study of the Romantic era, so your tone should be rich, ample and free. " - Renaud ESCRIVA |
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" Play this study with energy and power, but never force. One way to do this is to think that your sound radiates around you as a soap bubble. You will thus avoid saturating your sound, your articulations will be more defined and your staccato much faster. Respect the character of these two movements and concentrate on the phrasing of the central part while keeping a rapid tempo. " - Renaud ESCRIVA |
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In this second movement of the sonata, the articulations should be carefully pronounced to remain clear and intelligible in spite of the tempo. Use a light homogeneous staccato across the whole range and don't force the sound when the dynamics are loud; you will achieve like that an ample sound which is well balanced with the piano. - RENAUD ESCRIVA |
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In this third movement, you should contrast the registers as if they are separate instruments responding to each other. Your bass "quasi funèbre" should be ample and sonorous, though without acidity, whilst for your treble you should look for a very gentle flute sound, distant and without vibrato. - RENAUD ESCRIVA |