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| " "Suite Européenne" is a series of Pieces inspired by a journey, a trip, a meeting or an event in an european region. A melancholic piece as are childhood relics of games with sand. " - Pascal DUBOST | |||||||||
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| " "Suite Européenne" is a series of Pieces inspired by a journey, a trip, a meeting or an event in an european region. A gentle conclusion ... " - Pascal DUBOST | |||||||||
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| Taken from a suite of Branles, this 16th century dance should be played in a sustained tempo and with lightness of touch. - Didier COLL | |||||||||
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| A lively dance from the Canary Islands, this piece is interesting for its simple/compound rhythms and its brio. - Didier COLL | |||||||||
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| Here is an opportunity to play part of the repertoire often performed by the greatest guitarists. - Didier COLL | |||||||||
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| This celebrated study by Fernando Sor should be played with strict attention to the rhythm. Concentrate on bringing out the melody (notes with the tails up) and plucking the accompaniment. - Didier COLL | |||||||||
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| A popular English melody attributed to Henry VIII, Greensleves is one of the first real compositions a student of classical guitar should play. - Didier COLL | |||||||||
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| " Difficult duet because it is a dance which must flow easily even if the tempo is rapid. I recommend that you follow the proposed fingering. " - Didier COLL | |||||||||
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| " I wrote this piece for 2 guitar player, who inspired its title, SAndrine and GErard. Be careful to the accompaniment parts that are quite technical and that must be played at strict initial tempo. Play as if you were a single player. The left-hand fingering must be enforced for sound homogeneity. " - Didier COLL | |||||||||
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| " Trio specially composed for young guitarists " - Didier COLL | |||||||||
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| " Menuet is a three-four time dance, writen for piano. Very famous, this piece can also be played with a soloist instrument, such as violin or flute. " - Laurent MENERET | |||||||||
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| " Sonatina is a short instrumental form of sonata, with a soloist voice and guitar ensemble. Initially for piano, arrangement can be played with a guitar, a flute and a violin as the soloist voice. " - Laurent MENERET | |||||||||
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| " I wrote this piece as a tribute to the beautiful city of Moulares (France's south west) where I did a guitar training. No particular difficulty except the polyphonic aspect. Play this piece such that parts 1, 2 and 3 give the impression that they are played by a single guitar. " - Didier COLL | |||||||||
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| " On this popular theme, I wanted to give a tribute to Bach. This piece is a bit delicate mainly because of its tempo and of the omnipresent « legato ». It is an excellent exercice to work your scales… " - Didier COLL | |||||||||
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| " This piece should be played as a nostalgic waltz. Not a lot of technical difficulties here except the needs for clarity in the mix of the different voices. " - Didier COLL | |||||||||
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| " Tango atmosphere must be present all along this quartet. A bit a rhythmic imagination will be a plus (don't be "metronomic"). Enjoy! " - Didier COLL | |||||||||
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| " This can be played in a traditional classical style. To do so, guitar 4 must give an impulsion accentuating the first beat and playing complete chords. " - Didier COLL | |||||||||
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| " This piece is a two-four time allemande, the first traditional movement of baroque suite traditionally writen for solo luth. " - Laurent MENERET | |||||||||
