" Daydreaming for young instrumentalists at the edge of an emerald sea " - Pascal PROUST

A piece to be played from 1-2 years of instrument practice.

A perfect Piece for exams or auditions - for students playing Trombone for 10 years onwards

A piece to be played from 2 years of practice.

" Freely inspired by the famous Raymond Queneau's book, I wanted to write a piece that could be played by low-pitched solo brass instrument. It can be played by a Tuba, an Euphonium or a Bb Saxhorn, a Tuba or a F Horn player. This version is for Tuba. The others are available as well. This piece can be played from an exam from 8 years of instrument practice. " - Arnaud MEIER

A piece to be played from 1-2 years of instrument practice.

" A rythmic composition in which the cells "quaver / two semiquaver" and " two semiquaver / quaver " are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of "Rhapsody in Blues" from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem ("Temps d'M") without that! " - Alain LOPEZ

A perfect Piece for exams or auditions - for students playing Tuba or Euphonium or Baritone for 8 years onwards

" For solo trumpet or cornet and from 7 years of instrument practice, the artist will find himself plunged into darkness, alternating mysterious, sometimes distressing sequences, with episodes of infernal descents and ascents. We are in absolute madness. " - André TELMAN

" Melodic composition targeted to "young" students where rhythms of half note, quarter note, eighth note, on beat, are exclusively used. " - Alain LOPEZ

A perfect Piece for exams or auditions - for students playing Tuba or Euphonium for 1 year onwards

" This Piece is a transcription for Trombone of a Baroque piece. It must be played using the subtle phrasing and moderate sound intensity of instruments used during this epoch, such as Sackbut. The main difficulty of this Piece reside in its interpretation. In order to help you, I propose articulations and nuances that will allow you playing in the spirit of the first half of the eighteenth century, while giving you the freedom to choose the ornamentation that you prefer. " - Olivier LACHURIE

" This concerto is a major Piece of Baroque repertoire for Trombone. A particular attention must be given to the respect of nuances and articulations that I placed in this score, to guide you towards playing in the spirit of the first half of the eighteenth century, while giving you the freedom to ornament as you like. " - Olivier LACHURIE

A piece to be played from 2 years of instrument practice.

" A rhythmically simple composition that I wanted to be very melodic to encourage students to become familiar with repeated notes. " - Alain LOPEZ

A perfect Piece for exams or auditions - for students playing Tuba or Euphonium for 2 years onwards

" This bluesy ballad proposes an easy approach of doted quaver followed by semiquaver and helps going one step further since this solemn rhythm is always followed by 2 quavers! " - Alain LOPEZ

A piece to be played from 2 years of instrument practice.

" Composed during the nineteenth century, this piece is one of the "standards" of Trombone repertoire. It is also often played in national and international competitions. Felix Alexandre Guilmant managed here at the same time to reveal many musical aspects of Trombone and to offer a great freedom of interpretation to the player. Enjoy!  " - Olivier LACHURIE

" This Piece is one of the real Must-Haves for Tenor Trombone. Composed in 1915, it has often be chosen for exams and competitions, since it allows highlighting the musicality, instrumental techniques (triple tonguing, rapid slide movements) as well as the wide and warm sound of the instrumentalist. This Cavatine is an ideal and pleasant piece for concert. Several famous Trombonists have recorded it, and continue to play it all around the World. " - Olivier LACHURIE