" This piece allows the young trombonist to play with various attacks and nuances, and proposes a first approach of glissando and legato." - Patrick BOYER

A perfect Piece for exams or auditions - for students playing Trombone for 1 year onwards

A perfect Piece for exams or auditions - for students playing Trombone for 4 years onwards

The famous Characteristic Studies from ARBAN's Method revised, updated and dramatically modernised by Claude EGEA

" A musical evasion with a legendary captain... " - Pascal PROUST
A perfect Piece for exams or auditions - for students playing Trombone for 5 years onwards

" Here are a few pieces for trombone and piano. I wrote them following the progression of my son Valentin (to whom I dedicate them) who started the trombone in September 2011. I thank Yann Sevin, Professor at Evry and Yves Demarle, for their help. I hope pianists will also enjoy playing the accompaniment. Good luck to all! " - Denis LELOUP

" Some stories of an old sailor, for young instrumentalists " - Pascal PROUST

A Piece for students from 2 years of instrument practice

A perfect Piece for exams or auditions - from 1 year of Trombone practice

A perfect Piece for exams or auditions - from 1 year of Trombone practice

" A nice blue shark in calm waters for exams or auditions of young instrumentalists... " - Pascal PROUST

A perfect Piece for exams or auditions - for students playing Trombone for 2 years onwards

" A short piece for young instrumentalists from the first year of practice. " - Pascal PROUST

A perfect Piece for exams or auditions - for students playing Trombone for 1 year onwards

A perfect Piece for exams or auditions - from 2 years of Trombone practice

A perfect Piece for exams or auditions - from 4 years of Trombone practice

" A piece where students can show their expertise in legato as well as articulated rhythms. " - Jean-Michel MAURY

A perfect Piece for exams or auditions - for musicians with 4 years of instrument practice

" Old cowboy stories told by young Trombone players - from 4 years of instrument practice. " - Pascal PROUST

" As its title suggests, this "tournerie", the first of the series, must be interpreted with emphasis on the regularity of tempo as well as with a vigorous pulse. Trombonists should play without adding jazzy nor lyrical effects. Priority given to "groove", a bit like in Piazzolla's tangos. " - Denis LELOUP

" As its title suggests, this "tournerie", the second of the series, must be interpreted with emphasis on the regularity of tempo as well as with a vigorous pulse. Trombonists should play without adding jazzy nor lyrical effects. Priority given to "groove", a bit like in Piazzolla's tangos. " - Denis LELOUP

" As its title suggests, this "tournerie", the third of the series, must be interpreted with emphasis on the regularity of tempo as well as with a vigorous pulse. Trombonists should play without adding jazzy nor lyrical effects. Priority given to "groove", a bit like in Piazzolla's tangos. " - Denis LELOUP

" A short piece where the young trombone player will find what he must have acquired during the first months of learning, while being in a legendary setting...  " - Pascal PROUST

A perfect Piece for exams or auditions - for students playing Trombone for 1 or 2 years onwards

" Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians " - Pascal PROUST
A perfect Piece for exams or auditions - for students playing Trombone for 4 years onwards