The famous Characteristic Studies from ARBAN's Method revised, updated and dramatically modernised by Claude EGEA

" This piece allows the young trombonist to play with various attacks and nuances, and proposes a first approach of glissando and legato." - Patrick BOYER

A perfect Piece for exams or auditions - for students playing Trombone for 1 year onwards

" This Piece is a transcription for Trombone of a Baroque piece. It must be played using the subtle phrasing and moderate sound intensity of instruments used during this epoch, such as Sackbut. The main difficulty of this Piece reside in its interpretation. In order to help you, I propose articulations and nuances that will allow you playing in the spirit of the first half of the eighteenth century, while giving you the freedom to choose the ornamentation that you prefer. " - Olivier LACHURIE

" This concerto is a major Piece of Baroque repertoire for Trombone. A particular attention must be given to the respect of nuances and articulations that I placed in this score, to guide you towards playing in the spirit of the first half of the eighteenth century, while giving you the freedom to ornament as you like. " - Olivier LACHURIE

A perfect Piece for exams or auditions - for students playing F Horn for 4 years onwards

A series of perfect Pieces for exams or auditions - for students playing Trombone for 10 years onwards

A perfect Piece for exams or auditions - for students playing Trombone for 10 years onwards

" Orange was the popular color of tango dancers at tango's height during the twenties. The melody is as bright as the color, pleasant and is not bereft of ardour. " - Alain LOPEZ

" The artistic  skills and sensitivity of the musician are highlighted here, in order to recreate, thanks to varied metronomic movements, rhythms and nuances, ten atmospheres described throughout the Piece. " - Alain LOPEZ

An original Piece for exams or auditions - for students playing Clarinet for 7 years onwards

" A rythmic composition in which the cells "quaver / two semiquaver" and " two semiquaver / quaver " are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of "Rhapsody in Blues" from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry betwenn the two associated players: no tandem ("Temps d'M") without that! " - Alain LOPEZ

A perfect Piece for exams or auditions - for students playing Trombone for 8 years onwards

"  " - Jean-Marc BOUDET

A Piece for exams and auditions for students playing clarinet for 4 years onwards.

" Composed during the nineteenth century, this piece is one of the "standards" of Trombone repertoire. It is also often played in national and international competitions. Felix Alexandre Guilmant managed here at the same time to reveal many musical aspects of Trombone and to offer a great freedom of interpretation to the player. Enjoy!  " - Olivier LACHURIE

" This Piece is one of the real Must-Haves for Tenor Trombone. Composed in 1915, it has often be chosen for exams and competitions, since it allows highlighting the musicality, instrumental techniques (triple tonguing, rapid slide movements) as well as the wide and warm sound of the instrumentalist. This Cavatine is an ideal and pleasant piece for concert. Several famous Trombonists have recorded it, and continue to play it all around the World. " - Olivier LACHURIE

" The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme "B" are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets!  " - Alain LOPEZ

A Piece for exams and auditions for students playing trombone for 4 years onwards.