A Piece inspired by negro spriritual, for students playing clarinet for 2 years onwards.

" Avant l'Exam is a simple melody for clarinet, in chalumeau's range, to dialog with piano and to hold a small concert before end of cycle's exams. " - Jean-Michel MAURY

" This waltz reminds us of diatonic accordion and will make listeners dance (and maybe the panel)! Its interpretation requires lightness and personality.  " - Jean-Michel MAURY

A Piece for exams and auditions for students playing clarinet for 5-6 years onwards.

" A piece again the virus, the strain of which was found in estearn europe!  " - Jean-Michel MAURY

If you manage to play this piece with the energy and virtuosity it requires, there is little doubt that you are not getting the flu...

" This short piece fill young clarinettists with enthusiasm. It is ideally suited for end of year exam, and can as well accompany a circus sideshow during a school fair or a music school fair. Furthermore, several clarinettists can play it together (up to 4 or 5). " - Jean-Michel MAURY

" A piece for the first cycle to work subtlety, musicality and complicity with the accompanist. " - Jean-Michel MAURY

" A piece in the italian virtuosity vein.  " - Jean-Michel MAURY

A Piece for auditions for students playing clarinet for 7-8 years onwards.

" A little duet study to work fluidity, very nice for an exam without stress. " - Jean-Michel MAURY

" Pièce in Iberian vein, made of a rubato recitative and a moment for virtuosity.  " - Jean-Michel MAURY

A Piece for exams and auditions for students playing clarinet for 4 years onwards.

" In the vein of Nino Rota, this tarantella puts into relief a work on articulations.  " - Jean-Michel MAURY

A Piece for auditions for students playing clarinet for 6-7 years onwards.

First opus from the collection "The Must-haves for Clarinet", this Romance is a wonderful Piece to be played from 3 years of instrument practice.

"Address this wonderful Romance with softness and meditation, but without sentimentality. Your tone should be full. Never force, follow articulations and breaths. Go to the end of your sentences and from F onwards, make your game become bright. - Renaud ESCRIVA"

" This study is not fast, respect the tempo and play right on time. Accentuations should never be hard. Construct well your phrasing. Be sure to always have a full and ample sound, and above all never force nuances nor forzandi. " - Renaud ESCRIVA