Here is a series of pieces for flute and piano composed by Cécilia ROYER-CARDONA for the very first year of flute practice.

This very simple Piece was composed for very young children, for an exam or an audition 3 to 4 months only after their beginning.

" The chassé-croisé of quarter notes and eight notes triplets together with Piano incite to dance and remind us of cabarets' ambiance of the 1920s. This piece, coupled with a faster one is an ideal combination to propose for end of first cycle exam. " - Alain LOPEZ

A perfect Piece for exams or auditions - for students playing Flute for 3 years onwards

A perfect Piece for exams or auditions - for students playing Flute for 2 years onwards

A perfect Piece for exams or auditions - for students playing Flute for 3 years onwards

A perfect Piece for exams or auditions - for students playing Flute for 3 years onwards

" A little melody on a music box tune, a little twisted; can be played at the end of the first year, beginning of the second. With a little "slap" at the end. " - Cécilia ROYER-CARDONA

Piece composed for exams or auditions of students playing flute since 5 years onwards.

" A little piece for the holidays that beginners will bring in their bags, together with their flute, of course! Very end of the first year, ambitus from low E to high D. " - Cécilia ROYER-CARDONA

" A small characteristic piece, to be played during the first year of practice, with easy ambitus (low G, high C), and without alterations. " - Cécilia ROYER-CARDONA

A perfect Piece for exams or auditions - for students playing Flute for 4 years onwards

" Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians " - Pascal PROUST
A perfect Piece for exams or auditions - for students playing Flute for 4 years onwards

A superb opus with a subtile melody - for students playing flute for 5 years onwards

" The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway... " - Alain LOPEZ