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32 Studies for Clarinet - Volume 1 - Studies 1 to 16 - C. ROSE - Solo Clarinet

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In the small world of clarinet, the "32 Studies" by Rose is unquestionably one of the most famous and most used book. Based on the "48 Studies op. 31" for Oboe by Ferling, Rose freely changed the structure, scope, tone of the original studies to adapt to the note range and to the specificities of the clarinet. These studies are, therefore, true re-creations that Rose proposes to clarinet students. Encompassing a wide variety of musical and technical challenges, they are a perfect preparation for the repertoire of the 19th century and, as such, have never been replaced. Through many republications, these studies were themselves revised and supplemented with expressive indications, dynamics, articulations, phrasings and tempi sometimes overloading the original text. The interest of this new publication is double: first it provides the original studies by Rose (1893), then it shows aside the study for oboe by Ferling that Rose used as a reference (published by Bachmann in 1840), transposed by us in key chosen by Rose for clarinet. The student can thus easily compare the two versions, understand the changes, additions and transformations done by Rose, and enrich his/her approach of the style and phrasing of each study. To complete this analysis, indications of ways of working are given (in French) throughout the book.

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40 Studies for Clarinet - Volume 1 - Studies 1 to 20 - C. ROSE - Solo Clarinet

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The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working.

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40 Studies for Clarinet - Volume 2 - Studies 21 to 40 - C. ROSE - Solo Clarinet

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The "40 Studies" compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors.

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12 Etudes Variées - Volume I - J. NAULAIS - Solo Clarinet

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the second year of instrument practice.

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12 Etudes Variées - Volume II - J. NAULAIS - Solo Clarinet

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fourth year of instrument practice.

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12 Etudes Variées - Volume III - J. NAULAIS - Solo Clarinet

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" As the title suggests each of these studies have its special flavor; they sail through the centuries ... " - Jerome NAULAIS

Studies suited from the fifth year of instrument practice.

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Qui Fait Quoi ? - P. PROUST - Solo Clarinet

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" 6 very varied short movements for young instrumentalists, 6 characters whose first name rhymes with their profession " - Pascal PROUST

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Deux Médiévales - P. PROUST - Solo Clarinet

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" Two small pictures of everyday life in the Middle Ages set to music, from 5 years of instrument practice. " - Pascal PROUST

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Le Chevalier Troubadour - P. PROUST - Solo Clarinet

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" Intrigues and festivities in the Middle Ages! " - Pascal PROUST

A piece to be played from 7 years of practice.

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Le Chevalier Troubadour - P. PROUST - Solo Bass Clarinet

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" Intrigues and festivities in the Middle Ages! " - Pascal PROUST

A piece to be played from 7 years of practice.

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Premier Solo de Concours - J.-M. MAURY - Solo Clarinet